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A Letter to Hermann Hesse, Author of "Demian"

Dear Herr Hesse, I know you’ve been dead since 1962, a good ten years before I was born, and my writing to you may come across as a mad gesture the likes of which only the overly obsessed are capable of. I can assure you I’m not mad, even though everyone around me is. I’ve just finished reading your 1919 novel Demian , which you wrote when you’re on the brink of madness (Was the war that bad? Why did all those young men have to die?), and which made you what my generation calls an “overnight sensation” among the disillusioned young. Before I started reading the book, I’d wondered why it’d had such an effect on the young men of the 1910s (and also those of the following decades). It’s just a book, I thought. Aren’t we exaggerating? But I should’ve known. Your Siddhartha has after all been my personal guide since I first read it in 2004, so why should this one be made of lesser stuff? The actor/scholar James Franco, a young(ish) man of my generation, wrote a new introduc...

The Philosopher’s Hammer: Friedrich Nietzsche’s “Twilight of the Idols” (Part 2)

Perhaps the biggest surprise to the 21 st century reader of Twilight of the Idols , assuming he has not read its predecessors, is its aggressive attack on ideas he holds dear and never thinks of challenging. Nietzsche never had an appreciation for liberal politics. This is expressed in clear and therefore philosophically atypical language in Section 38 “My Conception of Freedom.” Of liberal institutions, Nietzsche opines that they “cease to be liberal as soon as they are attained: subsequently there is nothing more thoroughly harmful to freedom than liberal institutions” (103). The reason why Nietzsche distrusts liberalism is consistent with his philosophy: liberal ideas “undermine the will to power, they are the leveling of mountain and valley exalted to a moral principle, they make small, cowardly and smug – it is the herd animal which triumphs with them every time” (103). Since liberalism preaches equality, harmony, and attempts to erase dissonance, it is seen by Nietzsche, who...

The Philosopher’s Hammer: Friedrich Nietzsche’s “Twilight of the Idols” (Part 1)

Twilight of the Idols, or How to Philosophize with a Hammer ( Götzendammerung, oder: Wie man mit dem Hammer philosophirt , 1889), was one of the last two philosophical works (the other being The Anti-Christ ) written by Friedrich Nietzsche at lightning speed (he completed it in a week) before he succumbed to insanity the following year. By this time Nietzsche had already established a name for himself with Thus Spoke Zarathustra in Europe’s literary-philosophical enclaves, though his incorrigible cynicism made him believe that most readers had not adequately grasped the work. In order to rectify the situation, he felt he had to simplify its main ideas and present them in a more digestible format à la Cliff Notes. The result is Twilight of the Idols , a summary of sorts of the philosophical thoughts that had preoccupied him all his life. But the book, furious and acerbic in tone, is also something else: it functions as a metaphorical hammer that seeks to destroy everything that...

The Thinking Man’s Bible and Messiah: A Personal Reading of Friedrich Nietzsche’s “Thus Spoke Zarathustra” (Part 2)

Link to Part 1:  http://ed-is-a-stranger-on-earth.blogspot.nl/2012/11/the-thinking-mans-bible-and-messiah.html Of all the accusations Nietzsche hurls at Christianity, it is the sanctification of untruths concerning earthly matters that is the gravest: God is a thought that makes all that is straight crooked and all that stands giddy. What? Would time be gone and all that is transitory only a lie? … I call it evil and misanthropic, all this teaching about the one and the perfect and the unmoved and the sufficient and the intransitory. All that is intransitory – that is but an image! ( On the Blissful Islands , 110-11) Nietzsche claims that Christian belief inculcates the wrong perception of reality in the believer. The belief in an unchanging, perfect God is philosophically false, since nothing in the universe we inhabit is “intransitory.” Everything is always in flux, and divine constancy can be nothing but a deception. For Nietzsche (or Zarathustra), co...

The Thinking Man’s Bible and Messiah: A Personal Reading of Friedrich Nietzsche’s “Thus Spoke Zarathustra” (Part 1)

A great many clichés we usually associate with Nietzsche – “God is dead” (often quoted out of context), “Man must be overcome,” “the Übermensch ” – have their origin in the infamous 1883-5 text Thus Spoke Zarathustra: A Book for All and None ( Also sprach Zarathustra: Ein Buch für Alle und Keinen ). It is a “treatise” generally ignored by professional philosophers for being “too artistic”; for the common reader, if he is not religious, it is a trying reading experience due to its cryptic nature, and if he is a believer in God, a full-frontal attack. It is a text many have heard of (and think they can quote from it), but few have seriously read from cover to cover. My aim is to synopsise some its recurring (pun intended) messages and explain why it is essential reading – now more than ever – for any man who strives to rise above himself and others. Thus Spoke Zarathustra is a literary/philosophical bulldozer: it attempts to raze to the ground all extant mora...

The Will to Power as a Determinant for the Future of Mankind: David Mitchell’s “Cloud Atlas” (Part 4)

If the future is indeed “a nest of presents to be,” we can count on familiarity. What has been still is, and what is, will be. The concept of reincarnation is intrinsic in the system of “eternal recurrence,” being the basis of Indian and Buddhist philosophies, which Schopenhauer (and later on Nietzsche) heavily borrowed from. Both Schopenhauer and Nietzsche deal with this concept only in its corporeal sense, never in its spiritual, preternatural sense. The philosophers injected it with realism and logic, and the outcome can be observed in some sections of Cloud Atlas . The impression of recurrence is presented for the first time in “Letters from Zedelghem,” where Robert Frobisher is found reading a “curious dismembered volume” he has come across in the guest bedroom. The volume in question is Adam Ewing’s Pacific journal. While reading through it, Frobisher picks up on hints that Adam never did, for example, Dr Goose’s less than honourable intent. He then questions the journal...