Skip to main content

The Tattooed Rebel



The Tattooed Rebel 
- Edward Ong 

The living ink on your body breathes 
Faraway myths my imagination cannot reach.
The merman way you flex yourself
- in the dying amber light of the day -
Gives the black swirls a meaning 
Only my intuitive eyes can comprehend.
On your neck stand the Three Crosses,
Holy in their uprightness and yet 
Condemned by your liberal peers.
The defiance of your existence starts here,
Almost at eye level, and I am (I must admit)
Aroused by its forthrightness,
The suffering of the saint and sinners you have
Committed to carrying until you are ash.
The grinning skull on your bicep is
A reminder of everlasting death,
The sparkling diamond in its mouth
Is the preciousness of here and now.
So smile! and I trace with my fingers
The cluster of bright stars
Across your mountainous shoulders.
From these stars we came,
Ancient dust sprinkled through time to settle 
On the planet of Love and Hate.
Heart riven, my sight drops
To your chest where a blue winged serpent 
Coils its awful beauty around a maze
Of thorny vines - spewing hellfire over
Private wars fought in the fevered jungles 
Of the Far East once upon a Johnson time.
Blood teardrops fall pearl by pearl down
Your midriff, the crevasses of humanity,
Flowing steady into the volcanic heat of your loins,
Engendering wildlife (birds of paradise)
Under the canopy of the Original Tree.
I have gone through a lifetime of soul torment 
To reach this sanctum to meditate away
- with the swastika turning on my sinful palm -
My fruitless prison love for you.

10.2.16  Phuket, Thailand

Comments

Popular posts from this blog

Approaching Haruki Murakami’s “Kafka on the Shore” the Jungian Way

“The world of gods and spirits is truly nothing but the collective unconscious inside me.” – Carl Jung, On the Tibetan Book of the Dead What appears to be supernatural and surrealistic in Haruki Murakami’s Kafka on the Shore  does not have to remain that way once we accept that in Murakami’s fictional world, the natural and the supernatural often cross paths and become one single unity. In the previous three entries on the novel, I have extensively discussed its relation to Sophocles’ Oedipus Rex . But here I intend to explain why the supernatural should in fact be deemed natural, and how this reasoning is a direct reference to the theories of Swiss psychologist Carl Gustav Jung and German philosopher G.W. F. Hegel, both of whom are mentioned in the novel. Carl Jung’s psychological theory on the “collective unconscious” (the notion positing that all humans – regardless of race and culture – share a psyche containing “latent predispositions towards identical reactions” [10])

The Sound of Alienation: Rainer Maria Rilke’s “The Voices”

In the nine “Voices” poems (“Die Stemmen,” 1902), we find Rilke speaking out for those who have suffered pain and injustice. He insists that in order for them to be heard, they need to “advertise” themselves, and this should be done through singing, or songs – like the castrati (referred to as “these cut ones”) who sing to God and compel him to stay and listen. This message is found in the “Title Leaf” – an introduction of sorts to the nine songs. It is tempting to read the nine songs (“Beggar’s,” “Blind Man’s,” “Drunkard’s,” “Suicide’s,” “Widow’s,” “Idiot’s,” “Orphan Girl’s,” “Dwarf’s,” “Leper’s”) as a collection of poetic pleas for social awareness. This is due to Rilke’s “casting choices”; he has selected society’s most conspicuous outcasts as the main speakers of his poems. When, for instance, the beggar in “The Beggar’s Song” says, “I go always from door to door/rain-soaked and sun-scorched,” we are induced to sympathise with his downtrodden fate. The same can be said for

Murakami Salutes Orwell: How "1Q84" Pays Homage to "1984" (Part 2)

Here the reader arrives at the junction where Murakami’s work crosses from the metaphysical to the real and tangible, for in the single-moon world we have also had the misfortune of witnessing writers persecuted for their ability to tell a different “truth.” Salman Rushdie’s fate after the publication of The Satanic Verse is well-documented and needs no reiteration. A more discriminate look at literary history gives us several more voices hushed by the Authorities: Turkish author and Nobel Prize-winner Orhan Pamuk was arrested for comments about the massacres of Armenians in the First World War. Nigerian protest author Ken Saro-Wiwa was tried by a military tribunal and hanged. Yu Jie, author of China's Best Actor: Wen Jiabao , a controversial book that cast a critical light on the premier, landed in hot water with the Chinese authorities, and had to emigrate to the USA for his own safety. His close friend and Nobel Prize-winning literary critic Liu Xiaobo called for politic