Skip to main content

Now!: Learning How to Live through Philosophy


Throughout our short lives on Earth we are often told (by unctuous types) to "seize the day" and "live in the moment", but to what extent is that possible? Let us reel in two early Greek philosophers, Heraclitus (535-475 BC) and Parmenides (540-? BC), and see how far these two gentlemen will get us.

Heraclitus is mainly known for stepping into a river and drawing a revelatory conclusion: One can never step into the same river twice. Apply that to our daily existence, and you will instantly see how true it is. To Heraclitus and his disciples, change (motion) is the only truth or constant in our reality. No material object can escape change. If it exists, it must undergo change, sooner or later. This, too, applies to human life. If someone told me to "live in the NOW", I would have trouble realising it. That is because what constitutes the present me is already on its way to becoming something else as we mull over this subject. What makes NOW ungraspable is that it does not exist: It is a product of what I WAS and what I AM ABOUT TO BECOME. The past and the future are two time zones we must not underestimate. The emotional baggage we have accumulated since childhood is not to be cast aside simply because newfangled psychology tells us we must live in the present. Your being a neurotic, fidgety, angst-driven perfectionist today has everything to do with the past; severing the past will not only blind you, it will also ensure a straight highway to a catastrophic future. What that means in quasi-philosophical terms, I think, is that your existence is a Heraclitean river. Whatever image you have of yourself at any given point in time is bound to alter and morph, for change is the only reality possible.

Parmenides made an equally interesting but completely contradictory hypothesis about change: he proposed that all is one, and change is thus impossible. Objects and matter are not really there in reality; they are merely illusions. In reality, there is only one truth: the indivisible universe. The changes we perceive in the material world are trickeries of the mind since motion is impossible in a universe where everything is ONE. To complicate matters, Heraclitus seemed to contradict himself by saying "It is wise to agree that all things are one," which makes it look like he and Parmenides agreed after all. Perhaps the truth is a little simpler. Perhaps what Heraclitus was suggesting is that the empirical world (the one your senses perceive) is a world of change, but the transcendental one is a different matter.

What has this got to do with "living in the now"?

What this means for a Heraclitean is that "living in the now" is a non sequitur, for there is not a NOW for him to live in. For a Parmenidean, it is somewhat more complicated. If he is dealing exclusively with eternal unchangeability, does this mean his whole existence is a NOW? There is also a school of thought, of which I am a believer, which combines the two hypotheses: that the Heraclitean world of change is in actuality an integral part of the Parmenidean universe of ONE. This means the changes one experiences are contained within the transcendental sphere of eternity. In other words, the changes we experience repeat themselves ad infinitum, which then means that there is in fact no change at all. Nietzsche called it "Eternal Recurrence." Hindus and Buddhists call it "the Wheel of Karma."

Change or no change, I intend to live my life to the fullest.

Comments

Popular posts from this blog

Approaching Haruki Murakami’s “Kafka on the Shore” the Jungian Way

“The world of gods and spirits is truly nothing but the collective unconscious inside me.” – Carl Jung, On the Tibetan Book of the Dead What appears to be supernatural and surrealistic in Haruki Murakami’s Kafka on the Shore  does not have to remain that way once we accept that in Murakami’s fictional world, the natural and the supernatural often cross paths and become one single unity. In the previous three entries on the novel, I have extensively discussed its relation to Sophocles’ Oedipus Rex . But here I intend to explain why the supernatural should in fact be deemed natural, and how this reasoning is a direct reference to the theories of Swiss psychologist Carl Gustav Jung and German philosopher G.W. F. Hegel, both of whom are mentioned in the novel. Carl Jung’s psychological theory on the “collective unconscious” (the notion positing that all humans – regardless of race and culture – share a psyche containing “latent predispositions towards identical reactions” [1...

Murakami Salutes Orwell: How "1Q84" Pays Homage to "1984" (Part 2)

Here the reader arrives at the junction where Murakami’s work crosses from the metaphysical to the real and tangible, for in the single-moon world we have also had the misfortune of witnessing writers persecuted for their ability to tell a different “truth.” Salman Rushdie’s fate after the publication of The Satanic Verse is well-documented and needs no reiteration. A more discriminate look at literary history gives us several more voices hushed by the Authorities: Turkish author and Nobel Prize-winner Orhan Pamuk was arrested for comments about the massacres of Armenians in the First World War. Nigerian protest author Ken Saro-Wiwa was tried by a military tribunal and hanged. Yu Jie, author of China's Best Actor: Wen Jiabao , a controversial book that cast a critical light on the premier, landed in hot water with the Chinese authorities, and had to emigrate to the USA for his own safety. His close friend and Nobel Prize-winning literary critic Liu Xiaobo called for politic...

The Thinking Man’s Bible and Messiah: A Personal Reading of Friedrich Nietzsche’s “Thus Spoke Zarathustra” (Part 1)

A great many clichés we usually associate with Nietzsche – “God is dead” (often quoted out of context), “Man must be overcome,” “the Übermensch ” – have their origin in the infamous 1883-5 text Thus Spoke Zarathustra: A Book for All and None ( Also sprach Zarathustra: Ein Buch für Alle und Keinen ). It is a “treatise” generally ignored by professional philosophers for being “too artistic”; for the common reader, if he is not religious, it is a trying reading experience due to its cryptic nature, and if he is a believer in God, a full-frontal attack. It is a text many have heard of (and think they can quote from it), but few have seriously read from cover to cover. My aim is to synopsise some its recurring (pun intended) messages and explain why it is essential reading – now more than ever – for any man who strives to rise above himself and others. Thus Spoke Zarathustra is a literary/philosophical bulldozer: it attempts to raze to the ground all extant mora...